FILM MON ONCLE DE JACQUES TATI

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Jacques Tati is thé great philosophical tinkerer ns comedy, acquisition meticulous care to arrange his films so that they open in a series du revelations and effortless delights. Take into consideration a shot early in "Mon Oncle," whereby the camera regards the outside de the structure where Tati"s character, Hulot, resides in a room nous the roof. It seems at life to be deux buildings, side passant par side, et Hulot enters auto ground floor ns one du them. Marqué then, as he climbs upstairs, his corps or legs jaune head or shoes are glimpsed through a series du windows, doors et passageways, revealing that the two structures are linked. When hey arrives lastly at the top, he disappears, to emerge not where nous expect the to but at the est différent side ns the screen.

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There is more. Opening a window, he hears a canary sing. Adjusting auto window slightly, hey hears ce stop. Opening cette again, cette hears thé song. It seems that the window chin is singing, until cette realizes that it reflects sunshine onto the cage of his neighbor"s canary. Cette adjusts thé pane to provide the neighborhood through song.

Later, autre visual smile: Again the town hall from thé outside de the building, nous see a woman in a negligee begin up auto stairs oui Hulot start down; ont they pass, cette pauses, and we deserve to see seul his shoes--pointing toward us, venir indicate cette has politely turned his back.

These room not the kinds of sight gags that would inspire envy in charge Carrey. They tickle nous with your quiet bemusement, lock involve nous in a conspiracy through Tati venir discover serendipity in a world de disappointment. That"s especially the boîte with "Mon Oncle" (1958), which emplacement Hulot in a gimmicky 1950s society du garish materialism. In Tati"s an excellent earlier film "Mr. Hulot"s Holiday" (1953), Hulot to be seen nous vacation at auto seaside, bumbling his method with the le meilleur of intention through a series of social catastrophes. Now he is in a city. Deux cities, actually--an old French city of bistros et street-sweepers et junk carts, ns ramshackle buildings et jolly stray dogs et vegetable markets, et then a modern city of automatic homes, sterile factories and hideous fashions.

Hulot is always auto same. Tati"s character, who additionally appeared in "Playtime" (1967) and "Traffic" (1971), varies ont little oui Chaplin"s tramp, and is often seen in a brun fedora, a tan raincoat, a arc tie, too brief pants, striped socks. He is never ever without his long-stemmed pipe, and at moments of urgency jaune confusion, he nervously taps it against his heel. Hey hardly ever says anything, and indeed "Mon Oncle" is halfway a silent film, v the dialogue sounding like année unexpected interruption in a library. The musique is repetitive, simple, cheerful, prefer circus musique while we"re waiting à la the clowns.


Hulot was thé hero du "Monsieur Hulot"s Holiday," but in "Mon Oncle," hey is a mourir soul, unemployed, bemused and confused passant par the modern world. His sister madame Arpel (Adrienne Servantie) believes she can aid him. She lives with elle husband prof Arpel (Jean-Pierre Zolla) et their young son gerard (Alain Becourt) in a futuristic architecture monstrosity, et a great deal du the movie"s time is spent trying out their cold new world.

The house they habitent in, a masterpiece of fabriquer design par Henri Schmitt, has automatic gates, doors, windows, kitchen appliances et a hideous aluminum fountain made native a fish the spouts water native its mouth. Thé fish is rotate on à la company, left off for family, tradesmen and relatives. Deux round upstairs windows look choose eyeballs, specifically when auto backlit heads ns M. And Mme. Arpel function as their pupils. The garden has a winding course to the door, allowing a wicked shot where deux women effusively greet each divers while auto path has them wade in opposite directions. Once Mme. Arpel decides elle brother should fulfill a neighbor à la possible matrimony, over there is a jardin party ns agonizing bourgeois awkwardness throughout which chairs et tables room shuffled clumsily, a climb vine comes to a mauvais end, and the underground roques to auto fish is punctured.

Things prefer that happen around Hulot. Arpel, an executive in a plastic water tap factory, gets him a travail that leader to tous sorts de difficulties, including mysterious footprints nous the employé director"s desk, et hose that looks favor frankfurters. The seulement un person that seems à understand Hulot is his nephew Gerard, who treats tons in the modernist house oui a bore, and escapes venir scamper around town through his prankster playmates. The family dog, a dachshund in a plaid overcoat, likewise sneaks out venir run v the local strays.

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"Mon Oncle" introduces nous casually venir a super cast of local characters, including a street-sweeper who is forever in conversation et always means venir use his broom marqué never does, et a produce seller whose scale is off because a flat tire causes his truck venir tilt. There is a tender, subtle subplot entailing Betty (Betty Schneider), the concierge"s daughter, who uses Hulot sweets et conducts a little flirtation, et in a bittersweet closing scene, looks toutes les personnes grown up et almost inspires Hulot to make a romantic gesture--before, alas, elle mother appears.


There"s likewise a support cast du dogs, who are seen in the first shot and the last, and hurry on their doggy entreprise in between. Lock don"t have année important function in the plot; they"re seulement there, checking jambe out, noting their territory. Ns learn from the elegant Web page? ˅ Tativille.com the Tati found thé dogs in thé pound, et didn"t former them marqué simply observed et encouraged them. "At the end du the film, conditions météorologiques had to volonté rid de them," Tati wrote. He refused venir send them ago to auto pound, et had année inspiration: cette took out an ad in the paper describing them as movie stars, et they all found an excellent homes. There is a lot of Tati in the serendipitous story.

Jacques Tati (1909-1982) only made six features et a few shorts et TV shows, and yet hey ranks with auto great quiet clowns among masters of visual comedy. He was a perfectionist whose precise confinements of shots, sets, actions and gags is tous the more impressive because he remained within a calm emotional range; Hulot doesn"t find himself starving, hanging native clock faces, besotted v romance or in thé middle of a war, cible simply puttering away at life, genial and courteous, act what cette can to negotiate thé hurdles de civilization.

The grandson du the czar"s ambassador to France, Tati sidestepped his father"s picture-framing shop by going into démontrer business. Cette was a well-known vaudeville performer, that after people War ii switched venir films, first with a brief about carte postale carriers et then through "Jour aux Fete," also about a mailman.

"Mister Hulot"s Holiday" introduced Hulot and was a huge international success, and "Mon Oncle" won the énormément jury prize at Cannes et the d’oscar for best foreign language film. His prochain three films, financed with good difficulty, retained him in debt et didn"t achieve thé same success, although a boîte can be fabriqué that hey grew much more daring et radical in the way his human hero confronted année inhuman society.


I amour Monsieur Hulot. Je love him because hey wishes ne sont pas harm, causes non harm, look at (whenever possible) ne sont pas harm. Cette does not forgive his trespassers because cette does no feel trespassed against; in the affronter of rudeness, cette nods politely, tries à look interested and stays out of the way. In an emergency, hey does what he can, stepping nous the leak in thé lawn haricot de soja that thé fish can continuez to spout. What he would like à do, i think, is à set out each morning et walk here and there, tipping his hat, tapping his pipe, grateful for those amusements that come his way. If his heart breaks even a signification littérale when hey says goodbye to auto landlady"s daughter, cette doesn"t let nous know.

"What mien brother requirements is an objective," madame Arpel declares, cible that is precisely what Hulot does not need. Hey simply needs to be left alone venir meander and appreciate, there is no going anywhere or having anywhere à go. Jean-Luc Godard oz said, "The cinéma is not thé station. The cinéma is auto train." ns never knew je vous demande pardon that meant, until prof Hulot proved me. The joie is in the journey, the sadness in thé destination.

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Biographical information cited here originates from Ephraim Katz"s cinématicien Encyclopedia.


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Roger Ebert

Roger Ebert to be the cinématique critic de the Chicago Sun-Times from 1967 till his fatality in 2013. In 1975, he won the pulvateur Prize à la distinguished criticism.